Both

Is it? Oh, I’m sorry. Sometimes it feels as if my fingers lock up, and I’m alone on the bed, cupping my rage like my stepfather did, or sleeping off the annoyances.

It’s the ease that does it. How easy it is for everyone else. The sky grays out, as if disabled; clicking on that sky brings you nothing. Then rain furs the bare trees, fuzzing the edges off everything, and it’s too cold to think. When will Winter leave us alone, or beat us up?

I like one or the other. Not both.

Walking from one room to the next, holding in front of her the copper rods, waiting for them to cross over water, over pregnancies, over the dead and their awkward ashes. In this box, note how your memories curl at the edges, licked by invisible fire, but slowly, almost imperceptible.

It would be a whole lot simpler if we just disappeared. I’d never have to bloat and blue in an August cold; I’d never have to serrate to dust, to become aloof to changing. A current of everything happening always smothers our corposes. Always. they’re in the way.

She remains very calm while addressing me.

Icing on the cupholders

I distrust gestalt. Now that we’re snowed in for spring, a potential energy snakes through your cold stiff fingers. I doubt that you can even hear me above you, murmuring, venting. Your own tongue could breathe you.

But I suppose I’d better stick to themes. Here’s one: I shit myself that first night, seeing you again after Winter Break. I yes fell out of my own ass.

There’s more of this than you think.

The annuals secrete icing on the cupholders, cream loudly against paper rocks, scissor extravagent recitation as if on cue and as if asked, like it says on your lousy t-shirt. Perennials, sigh, perennials, sigh, perennials, sigh, perennials, sigh. I shit stars to blank hole jupiter pins. I blend you in an nodal kinship skin. Perennials sigh perrenials, sigh perennials, sigh perennials, sigh perennials. Cigarette footprints.

Gun honey.

Three shadows

The full moon trawls for ice behind Sheffield Centre. She likened it to swimming liquid vinyl, how quiescent bubbles effused solder, how her shoulders slipped out of place, leaving her staggering breathless through a ruddy underbrush, maybe even thatched.

I was dreaming when I wrote this. I was interfacing with languaged.

His evasiveness indicates that he has issues with relinquishing control to others. The trees on Clifton blacken and fan. He dreams this night about being prostrate before a car.

That night of three shadows point me out.

The same night of Housing Projects from the Seventies.

She trawls a fur over stumps. She drags behind her those fractions of faces she thought to keep.